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  • Posted on June 8, 2017 at 1:50 pm

 

Welcome to the Work In Progress Tag! I was tagged by the adoring and adorable Briana Herr, who was kind enough to inform our whole discord server about the tag! For this tag, I’m going to focus on my mostly complete WIP, rather than the ones I keep starting to avoid Writer’s Block. XD

Without further ado!

1) What is your working title?

“A Knight of Kuryle”, which is supposed to refer to the main character Dirk’s position once he has accepted his fate.

 

2) where did the idea come from?

I had a dream, a long, long time ago, about a sorcerer and a swordsman. The sorcerer was the enemy of the swordsman, but when the swordsman ran him through, he collapsed into the swordsman’s arms and breathed out, “You never could protect me, could you?”

I fell in love with the dynamic, and with the pair, and so that’s how Dirk and Yumil/Kier were born.

 

3) what Genre would your book fall into?

I like to think Epic fantasy, since it follows more than one character’s journey through a fantasy world. But it’s probably just straight fantasy. XD

 

4) what actors would you choose to play in your movie rendition?

I really don’t think about actors for my characters, if only because it’d be very difficult to choose them, and because by the time I choose them, they don’t look the way I need them to for the character. Plus, I don’t think there’s a man alive pretty enough to match my mental image of Yumil/Kier

 

5) what is the one sentence synopsis for your WIP?

For the first novel: When his village is destroyed by an unknown mage, Dirk goes looking for justice, and finds something so unexpected that it throws his worldview out of place.

For the series: An ancient grudge sets into motion the necessary components to end the world, or bring it back into balance, and it’s up to one family to choose which.

 

6) Will you self-publish or be represented by an agency?

I’m planning to self-publish, although I wouldn’t say no to an agency if they wanted to represent me.

 

7) how long did it take you to write your first draft?

About a month. I was doing nanowrimo and had nothing else to do but write, so I literally ended up writing 250k words and finished it. Then I had to cut it down into smaller books, and I still haven’t finished the first draft of the smaller book. XD

 

8) what other books would you compare this story too?

Probably a combination of the Inheritance Cycle, Dragon Blood by Patricia Briggs, and Lord of the Rings. Sort of. Very, very loosely.

 

9) who or what inspired you to write this book?

When I first wrote the first draft, I was inspired by my then boyfriend, Wesley Pruett. As I went on to editing and eventually breaking up the story into smaller books, however, I found that my inspiration and help came from my mentor, Chris Votey. He’s been invaluable for helping me through all the crags and crannies of writing, and I wouldn’t have made it this far without him.

 

10) what else about your book that might pique readers interest?

Well, the main characters are almost all tumblr-worthy. Dirk is an asexual black man, and Yumil is a genderfluid homosexual. Their adoptive son, Jorgan, later in life goes on to be the savior of the world. So there’s that. XD

 

There you have it, my WIP, which I haven’t touched in several months. This blogpost, however, has rekindled my love for it, and I think I’ll be starting editing again. So thanks so much for sticking around and reading this! Post your information down below, and I’ll tag you in it, so that you can gush about your WIP too!

Writing Anime – Colorful

  • Posted on January 24, 2016 at 3:52 pm

There are very few movies that have managed to reduce me to tears. One I can name was A.I., the movie that was basically a pinocchio parallel except with robots. This movie, Colorful? It reduced me to tears halfway through the movie, and then just kept them coming. I recommend this movie for anyone who is going through hard times, suffering depression, or any sort of problem with belief in oneself.

The premise of the movie is simple. A soul is given a second chance, and that second chance requires that they figure out the crime they committed in their past life, as well as why the boy who’s body they inhabit killed himself. The ending is staggering. I definately didn’t see it coming. But what really did it for me was how it drew me in. The first sequence of the movie is entirely in first person. That is, the characters talk to YOU directly, and there is a beautiful falling sequence that just plain made me sigh with happiness.

Then, after a heart-wrenching scene where the family greets you, and then hands you a mirror to see yourself, it switches from first person into third, but you continue to hold onto that connection. You’re STILL that person, and you’ve STILL got the wonder and the fear and the anxiety that the opening instilled in you. It’s a wonderful technique that often isn’t pulled off well. However, this movie does it masterfully.

How can we translate this work into a literary practice? Well, let’s take a look at a few authors who make regular changes in point of view, and what delineates how well it is done. One of my favorite books that I read recently was Haruki Murakami‘s Kafka on the Shore. In the book, his two main characters, an old man named Nakata and a young boy named Kafka have different point of views. When the book speaks of Kafka’s adventures, they’re all first person. Nakata’s part of the story however, is always in third person.

The way this ends up working is very different from what you might think. In fact, in even more jarring, and therefore attention grabbing, parts in Kafka’s sections, parts of it drop into second person, telling me what is occuring to ME while I read it. Those parts were designed to make one uncomfortable, and they did. It was very uncomfortable reading those parts, but again, it drew you in.

Here are a few things you might consider when doing POV switches:

  • Consider which point of view is necessary for which character
  • if you do switch point of view, make sure it is clearly outlined who is using what pov.
  • if you switch points of view with the same character, only do so when the section needs to be unsettling or paid very close attention to.

Another book that did Point of View changes is one of my favorites, Patricia Briggs‘ Dragon Blood. The sequel to her Dragon Bones, Dragon Blood is told in a different way than her first book. In the first book, it was entirely from her main character, Ward’s perspective. Although we were privy to bits of excitement that happened to other people when Ward wasn’t present, it was clearly presented in a way of “Ward is telling the story, and adding parts he was told after the fact”. In Dragon Blood, however, it’s very clear that the Main Character-ship was shared between Tisala and Ward.

The way this was done was very simple. Each chapter had a denotation of WHO was the perspective character. This made it easy to follow, and also kept the linearness that Briggs is so exemplary for. I would definitely emulate her, were I writing something so straight forward.

These three examples prove that no matter what your medium, you’re going to have to keep an eye out for your POV. It’s not something you should spend only a few seconds considering. And if you get stuck? Well, try a new perspective!

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