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Writing Process Blog Hop

  • Posted on July 8, 2016 at 9:29 pm

Natasha Duncan-Drake has an interesting blog-hop going on which Chris Votey tagged me in. His most recent (and best, if I do say so myself) work, the Daygar Legacy, is an amazingly well-researched and well-written vampire romp through medieval europe. Definitely take a look. This is an interesting prompt as it is geared towards the how and why of the writing process, as individuals find it. The worst part of it, I think, is going to be finding two to three people to tag! Wish me luck!

Rules:

  1. Introduce who referred the blog tour to you
  2. Answer the following 4 questions:
    1. What am I working on?
    2. How does my work differ from others in its genre?
    3. Why do I write what I do?
    4. How does my writing process work?
  3. Introduce the people you’re passing this on to (3 – 4 people if possible who will then post a week later)

Well, let’s get started.

  1. As I stated above, I was referred by Chris Votey, who runs the wonderful blog Madness of a Modern Writer. He and I met via twitter, after I finished my first ever NaNoWriMo and got full of myself, thinking I could be a professional writer! He’s become a mentor and a very good friend to me, although our politics differ quite a bit. He’s pushed me to great heights in my writing and in the way I look at the world, and I honestly adore him. Check out his books Terran Psychosis and Scraping By, if you really want a good can’t-put-this-down read!
  2. Four questions
    1. I’m working on a lot right now, but with my current creativity block, it’s all a bit on pause. But the major projects are:
      1. The Kurylian Saga, an epic fantasy series with a male poc main character who has to learn how to forgive his most hated foe when they’re forced to work together;
      2. A Greater Love, a regency-era-set asexual romance novel that takes a lot of it’s plot from tribulations from my own life.
      3. an unnamed short story set in the victorian era, which so far is a romance between a human serial killer and a rakshasa.
    2. To answer this question, i have to explain the very first actual story I ever wrote. You see, when I wrote it, there wasn’t really a genre for ‘the villain is the protagonist’. It just hadn’t been invented yet, really. So the fact that the first story I ever wrote featured an all powerful witch brought down to the power of a child and forced to relive her life so that she might learn the error of her ways means that I was already thinking ahead of the bell curve. I have always tried to be different, to understand other’s minds, to think outside of my own. So I think my work is different only in that I MAKE it different. I make it more inclusive, more daring, more open than others that I could name.
    3. The why of it is closely tied into who I am as a person. I’ve never really liked being me. Even in my earliest fantasies, my earliest daydreams, I was always someone else. So of course, when I get the chance, I’m going to make the main characters as different from myself as possible. Beyond that, however, is the fact that I’m always seeking the ways to see how others are JUST LIKE ME too. Perspective has always been a driving force in my life. Everyone has their own perspective, and I think that’s why I write what I do.
    4. My writing process is a bit hit and miss. Most of the time I start writing just before I have to go to bed. Procrastination at it’s finest. Of course, there’s a fine tradition of authors writing while laying down in bed, but I don’t usually lay down when I’m writing. I sit up, in my bed, on my computer, and open Scrivener. In scrivener, I pick up where I left off and start writing the next scene. I always do this, too, I always write linearly, despite having a program that lets me pick and choose. It makes it fit better in my head. I usually manage anywhere from 25 words to an entire 5000 in one sitting. During NaNoWriMo it can be even more.
  3. I tag Tunafax, who writes some of the most amazing fanfiction I’ve ever read! She’s writing a story right now called Witcher that makes some old fairy tales look tame. It’s a beautiful, gothic tale of wishes made and lives saved, and it’s absolutely gorgeous.
    1. Kudalyn was recommended to me by Tunafax, and she’s got an amazing repertoire of stories! Not only that, she’s adept at writing a drabble from a picture source. One of her favorite stories, Summoning Slifer, is a very nice look into a very not-human mind.
    2. Another amazing writer, Ashe, does an amazing job with description, levels even I aim to achieve. Her story The Living Daylights is amazing.
    3. And then there’s Ariasune (Alias for short) who should absolutely join us! Her work Akhet has that lovely touch of humor and tenacity that made me love Good Omens so very, very much. Definitely give her a read!
    4. And not tagged, specifically, but in a post that I took real interest in, Nana posted her writing process in EPIC detail.
    5. The person who tagged Nana made some good points in theirs as well. Empress, as she calls herself, has some lovely insights into the writerly mind.

I hope the three I’ve tagged have as much fun writing this out as I did, and will spread the love! You can read Ashe’s response to the tag here.

Writing Anime: Valentine’s Edition!

  • Posted on February 15, 2016 at 1:13 am

It is Valentine’s Day for most of us, February 14th, a day when we celebrate romance and love (and sex) in all it’s myriad forms. From the loving married couple giving each other lovingly prepared gifts, to the cute young lovebirds declaring their affections with homemade cards, to the cute japanese schoolgirl baring her feelings with homemade chocolates. Lately, we also celebrate the other half of that dichotomy, the lonely single sitting on their couch eating chocolates bought with their own money, the friend who gives his single friend a rose so she won’t feel bad about valentines day, the guy desperate for love who decides to do valentine’s blind dates.

So today, we’re going to celebrate writing love! In fact, I have an example for you of REALLY well done romance. Oddly enough, the story it finds itself in, is quite literally, a tragedy. The story? Katanagatari. The couple? Shichika Yasuri and his wielder (this is explained in the series.) Tougame, the self-proclaimed Strategian. First thing I’d like to point out, Shichika is absolutely the youngest of the two, which in and of itself in literature, is rare. I’ll give you a breakdown of the series a little bit before going into the actual relationship.

Katanagatari started as a series of light novels, twelve in total, by Nisio Isin and illustrated by Take.  These novels depicted the journey of Shichika Yasuri and his attempts to recover the Deviant Blades. The swordmaster Kiki Shikizaki made 1000 swords in his lifetime, and the shogunate has managed to find 988 of them. HOWEVER, the final twelve are the most dangerous. These Deviant Blades turn their wielders mad, and give them immense strength. Togame has been tasked with this mission.

Shogunate strategist Togame has been ordered to recover them. She first hired a ninja…but the worth of the swords is so great that the entire ninja clan defected the moment they recovered one. Then she hired a swordsman… but he kept the sword for himself after finding it and went rogue.

Her last hope is Shichika Yasuri, the seventh head and last practitioner of Kyotouryuu, the No Sword School. He and his elder sister live on an island cut off from civilization, and as such they need no money. His fighting style doesn’t use a sword, so the famous weapons are useless to him

TvTropes page on Katanagatari

The true story here, however, is how Shichika and Togame fall in love. One of the iconic quotes of the series is Togame’s first orders to Shichika on how he is to conduct himself during the journey. Her exact words I’ll leave for when you to discover, but suffice to say, they’re very sweet, if one thinks about it. Through the course of the series, we see her slowly teach Shichika more about humanity, more about himself, and, without meaning to, more about herself.

Part of what makes this series so well written, however, and this romance specifically, is that while outright STATED that the romance will go down, (“Fall for me!” – Togame) it is also shown in all the small things. There are scenes of Shichika dressing Togame. Scenes of her allowing him to wrap himself in her hair, to learn her scent. Scenes of the two of them holding one another, and depending on one another.

The progression is rational, and slow. Fair warning, however, this anime is a tragedy. So don’t go into this expecting it all to be feel good feelings and love. But then again, when is love like that? And you can see that too, with Shichika growing a little cruel when he thinks Togame has gone to far, and with Togame crying and being cruel herself when Shichika seems interested in another woman. The series makes sure to show the ups and the downs.

Another brilliant thing depicted is how each partner supports the other in times of sadness. Just a warning, there are a few spoilers here, but the series is relatively old, so any look up of it will definitely yield these spoilers anyway. Now that you’ve been fairly warned, I’ll be happy to go into more detail.

Later in the series, we find out that Shichika’s older sister is a little… Well. She’s nuts. She goes and finds one of the deviant blades in order to force Shichika to fight her, and hopefully, kill her. Togame stands by his side (And in fact is way too close to the battle) while he fights the only other person he’s known for his entire life, and at the end, lets him grieve as he needs to.

We see something very similar later on in the series, when in the search of another deviant blade, they meet the Sage. He forces Togame to confront the death of her father, and his last words to her, and it takes a long, long time for that to happen, along with a lot of manual labor in the form of digging. But Shichika is not the one doing the manual labor this time. Togame digs from day until night, and Shichika stays by her side as much as he can, as well as serving as a place where she can rest at the end of a hard day.

I meant literally a place for her to rest, by the way.

These sorts of scenes are necessary to show us the love that has blossomed between them. The trust and the camaraderie between them is more important than any outward romantic display of any kiss or hand-holding. These little moments, they’re more of a love story than fifty shades of grey and twilight put together.

To make it simple, here are a few points to make sure your romance doesn’t fall flat, or worse, turn into a farce.

  • Show the small moments. The things that aren’t ROMANCE per se, but are, in fact, companionship.
  • Make the romance about the PEOPLE, not the sex.
  • Make memories for them. Beautiful memories that we as the reader can share in the intimacy of.
  • Try not to push your version of romance on them. Let it grow. Let them be people.
  • Above all, make sure that there is story to surround the romance. Even in Romance Novels this is paramount.

Remember, the story in and of itself is about the people, and if these people happen to be in love, show us that! In love, show-don’t-tell is essential. So go out there and tell the best love story you possibly can!

 

New Years Resolution BlogHop 2015

  • Posted on December 26, 2014 at 10:51 pm

So, I missed my chance to update for Christmas, and I thought that was a damn shame. So! Instead, I’m  going to be writing up my new years resolutions for you guys! Because I plan on turning 2015 into something AMAZING. <3

Oh, and for those of you who are curious, I had a fantastic christmas! I got a heater, and new knives for my kitchen, and tupperware. And yes, I realize I sound like a horribly old adult for thinking these are amazing gifts, but they really are! ALSO, in a move that absolutely astounded me, my friend Chris Votey gave me a special copy of his book, Terran Psychosis with a special dedication to me inside, and I just about sobbed my heart out. It meant so much to me what he said in there. I won’t share it, because it was private between two friends, but let’s just say, I’ve never felt so loved.

So! Here I go, setting goals for 2015.

Health:

  1. Eat two meals a day, every day. NO FORGETTING
  2. Wash face every day.
  3. Take a hot, relaxing bath, once a week.

Wealth:

  1. Save back $50 or more from EVERY CHECK. No exceptions.
  2. Eat out only ONCE a check. Yes, that includes little meals that only cost $10.
  3. Read/listen to an hour long of personal finance information each day.

Growth:

  1. Publish a book on Amazon by June.
  2. Publish a blog post every week.
  3. Write every day.
  4. Work on Panic-Attack-Helpful-Things
  5. Start a Garden Outside

So, these are my goals for the year 2015! Join me this year in checking these off the list, and I challenge you to post your own New Years Resolutions on your goal! Make them as extensive or as short as you can! Show me your resolve, and your power! I can’t wait to read them, and cheer along with you as we make these goals come true! Consider this the start of a New Years Resolution Bloghop! Post the link to your own post in the comments below, and as I see them, I’ll add your link to the Links on this page! <3

BlogHop Participators:
Write Accountable

Breaking Down Nemesis: Part Six

  • Posted on September 7, 2014 at 9:20 pm

Welcome to part six of Breaking Down Nemesis! Part Five ended at the end of Miss Marple’s first day of her tour, gifted by the dead Mr. Rafiel. She’d been vaguely introduced to fourteen people who would be sharing space with her, and confirmed another part of our Agatha Christie Code.  For those of you just joining us, Part One explains the Agatha Christie Code, and what we’re looking for to confirm it.

I’ve finally figured out what has been bothering me with the last few chapters. And to be honest, it’s what we’re looking for in the first place, so I’m not sure WHY I didn’t notice it before! You see, Homestuck had this same situation. The beginning was so boring, and lifeless, that I almost quit that too! In fact, I did, for several years! And then, I came back, reread it all, and got past the parts I thought were boring, and managed to delve into the meat of the story! I’m glad I did reread it too, because it had a lot of content that made future bits make more sense!

Now, often people compare Homestuck and Agatha Christie novels, because people believe that Homestuck follows the Agatha Christie Code. So, I stuck it out, and kept reading Nemesis. And it turns out that Nemesis is following the same key! The intro is long, descriptive, and can sometimes be considered boring, but is full of rich information that one needs in order to understand the later plot.

In fact, in this chapter, we begin to learn more about those around us, which is going to come in handy later, I’m sure. The chapter begins in a Queen Anne Manor House. For those who don’t know what those are, Queen Anne Manor Houses, are a type of architecture popular during Queen Anne’s reign in Britain (1702-1714). It’s a type of Baroque architecture,  noted for it’s grand, yet simple designs.

A Queen Anne Manor House

A Queen Anne Manor House

In fact, one of the guests on Miss Marple’s tour, Mr. Richard Jameson, is an architect who happens to be in love with the style. In fact, he’s hijacked the entire tour in order to go on and on about it, pointing out things like special moulding on fireplaces, and historical references similar to the ones I just gave you.

The tour-guide gets a little tired of it, and declares that in the next room, the White Parlour, was where they found the body. However, before you think that this is the murder that Miss Marple is to put to rights, he is quick to inform you that it was in the 1700s, and begins to tell the tale.

A young man, with a dagger through the heart, right on the hearthrug. The Lady Moffat of the day, had a lover, and when he came through a small side door and down a steep staircase, Sir Richard Moffat, her husband, caught them together.

Mrs. Butler, the american woman, declares it absolutely romantic, and her husband begins to inform everyone that she’s ‘sensitive to atmospheres’. I take this to be old-timey speak for psychic. Miss Marple, along with a few others, quickly make their escape, before Mrs. Butler and her husband can swindle them all out of their pocket cash.

Miss Cooke and Miss Barrow have followed her, and Miss Marple manages to explain that an old friend of hers had a nerve-racking experience with a dead body on her library floor one morning. While discussing it, Miss Marple recounts that the dead body had been a young woman in an evening dress. In fact, she’d dyed her hair as well.

And this triggers the memory of having met Miss Cooke! I knew that name was familiar! See? It pays to keep attention on previous bits. Now Miss Cooke has in fact dyed her hair! It was dark, but now she’s blonde! Maybe she did it because blondes have more fun? However, Miss Marple doesn’t bring it up. She doesn’t have time.

Mrs. Riseley-Porter interrupts, declaring she can’t go up or down any more stairs, and decides that everyone is going to take a tour around the garden instead. Since she was an authoritative old lady, she got her way, and Miss Marple, Miss Cooke, Miss Barrow, and Colonel Walker all headed to the garden, where Miss Marple took a seat.

Miss Elizabeth Temple followed her, and the two old ladies bond over how boring the lecture in the house was. Which of course, leads into a discussion about the tragedy of when people die young. Miss Marple argues that it is a tragedy, and that they miss so much. Miss Temple argues instead, that they miss nothing, for they are dead.

“What did T. S. Eliot say: The moment of the rose and the moment of the yew tree are of equal duration.”

I greatly like this quote, and I feel it would be something that people were forced to learn in school. It makes a very good argument towards Miss Temple’s side of things, of course. Which is, perhaps, the reason Miss Agatha chose it!

An awkward conversation leads to Miss Temple asking Miss Marple to guess why she is here. We discover that Miss Temple is on a self-imposed pilgrimage Whatever that means to her, of course. Luckily, this leads to a conversation about Mr. Rafiel, and we find out another interesting tidbit!

Miss Temple was acquainted with a girl who DATED Mr. Rafiel’s son! Again, I’m relatively sure that Miss Marple needs to find out what happened to Mr. Rafiel’s son. Also, I wish I had another name to call him besides Mr. Rafiel’s son, because that gets very tiresome. Anyway, it turns out that the girl was engaged to Mr. Rafiel’s son, but didn’t marry him.

She died. Of course she died, and it turns out she died of… Get this. LOVE. That’s all Miss Temple will say on the matter, too! How mysterious? Who was the girl, and why did she die? And what did Mr. Rafiel Jr. have to do with it? Oh. That’s it. I’m calling him Junior from now on. Anyway, what did Junior have to do with her death? Was this the reason he was considered taboo? And what is Miss Cooke doing? Why did she dye her hair?

As you can see, Miss Agatha has clearly mastered the art of leaving us with more questions than she answered! Not only that, but we’re getting even more insight into the other characters, as well. We now know Mrs. Butler, who’s nickname is Mamie, by the way, is ‘sensitive’. Why is she ‘sensitive’? What point was there in knowing that, other than to make that character mildly interesting for a few moments?

The lesson here? Leave more questions than answers. Especially at this early stage in the book. We are, after all, only six chapters into a twenty two chapter book! So, ladies and gents, tell me: How do you intend to leave your readers guessing? Leave a comment with some explanations, or maybe an excerpt or two!

Breaking Down Nemesis: Part Five

  • Posted on September 4, 2014 at 4:36 pm

Welcome to Part Five of Breaking Down Nemesis! In Part Four, we discovered that Miss Marple’s original idea, of meeting Mrs. Anderson and asking her about the deceased Mister Rafiel, turns out to be a bunk. In fact, we are no closer at all to finding out the mystery that Mister Rafiel wanted us to find, nor are we actually anywhere closer to the actual plot! It turns out that from what we’ve found out, Mrs. Anderson doesn’t have anything to do with it at all!

Luckily enough, this chapter is entitled Instructions From Beyond, so I don’t doubt we’ll finally get some directions! It starts out with a letter that arrives three or four days after the confrontation with Mrs. Anderson. I’ve copied it here, for your perusal as well!

Dear Miss Marple,

By the time you read this I shall be dead and also buried. Not cremated, I am glad to think. It has always seemed to me unlikely that one would manage to rise up from one’s handsome bronze vase full of ashes and haunt anyone if one wanted so to do! Whereas the idea of rising from one’s grave and haunting anyone is quite possible. Shall I want to do that? Who knows. I might even want to communicate with you.

By now my solicitors will have communicated with you and will have put a certain proposition before you. I hope you will have accepted it. If you have not accepted it, don’t feel in the least remorseful. It will be your choice.

This should reach you, if my solicitors have done what they were told to do, and if the posts have done the duty they are expected to perform, on the 11th of the month. In communication from a travel bureau in London. I hope what it proposes will not be distasteful to you. I needn’t say more. I want you to have an open mind. Take care of yourself. I think you will manage to do that. You are a very shrewd person. The best of luck and may your gaurdian angel be at your side looking after you. You may need on.

Your affectionate friend,

J. B. Rafielmr.rafielgrave

My fangirl instincts are beginning to really enjoy the idea of these two in a romance.  However, putting that aside, Miss Marple is quickly contacted, again in two days time, by the Famous Houses and Gardens of Great Brittain. I won’t type up their whole letter, it basically states that she’s been given a free tour around London, and after checking with a few of her friends to make sure the company wasn’t a scam, she made arrangements.

Once again, we are treated to a scene with Cherry. She’s worried that Miss Marple might not be up to the long amounts of walking involved with the group tour. In the end, Cherry decides that so long as Miss Marple doesn’t “Fall down with a heart attack, even if you are looking at a particularly sumptuous fountain or something”, that she’s fine with it.

Another two days later, and Miss Marple carries her small overnight bag as well as her new suitcase onto a very nice new bus. Another bit of her genius shows through, as she studies the Passenger list, along with the daily itenerary. Apperantly, the itenerary was quite well arranged, with two seperate tours, one for those fleet of foot, and one for the elderly who can’t really move that well. Miss Marple then began guessing who each name on the passenger lists belonged to.

Now, during this particular strain of thought, Miss Marple uses that term again, that I took exception to in the second chapter. “Old Pussies” is a bit… Well, problematic nowadays. So, we’ll not be going over that too much. I’m attempting to take this book as the time period it was written in.

To be quite honest, this chapter really didn’t interest me all that much during my first read through. It was mostly descriptions of what people looked like, and how they struck Miss Marple, which while normally quite interesting, was, in this case, quite boring. Of the fifteen passengers, she determined quite a few things. Unfortunately, with the way it is written, and how tangled it all is, I honestly can’t begin to untangle it.

However, this does bring credit to our Agatha Christie Code theory. Miss Christie just added sixteen new characters to the story, and gave them all very in depth descriptions, and as noted, my brain basically just GAVE UP. Luckily, in the next chapter, we get slowly introduced to them a little easier, so I’m not really going to lay them out now. However, I am going to note a few bits of good writing.

Once again, we’re treated to a very organic thought process from Miss Marple. She goes from thinking about the four other old women, which is realistic mostly due to the fact that people generally note those similar to themselves. I know that I tend to look at young women on the bus before I look at old men, or older women. We see again, how she compares others to those that she knows. Specifically, she compares an old woman to someone called “Dame Emily Waldron”, a notable scientist, and a Principal of an Oxford College.

Perhaps we should learn from this. The next chance you get, take a moment and categorize your own thinking. Take notes on what you notice first, and follow along to your next thought. When you read books, note the thought processes of the characters that you’re reading.

The first day of the trip passes, without Miss Marple determining if anyone was involved in a murder, and she goes to bed, hoping that she might find something out the next day. Before bed, she spends a few moments, noting things down in her notebook. Which, honestly, is a wonderful way to bring us into re-thinking the things she’d discovered today as well. A wonderful narrative device, in fact.

So what have we learned today? Having an organic thought process for your character, as well as showing creative narrative devices to re-iterate information that may have been hard to understand in the first place, are keys to salvaging a rather horrid chapter.

For those of you following along, what did you think of this chapter? For those of you who aren’t, Share your experiences in the comments, with books that start slow and boring, and then pick up?

 

Weekly Writing Update – 08/14/14

  • Posted on August 16, 2014 at 12:56 am

Another week has passed, and with a harrumph rather than any kind of music. As I am now biking to and from work, my legs have put out a hit on me, in an attempt to put me out of my misery. While dodging ninja assassin attacks, I’ve managed to write some! Not on traditional things, unfortunately, but I’ve also managed to READ some! Which is amazing.

You may not know this, but if you are in debt to your library for five or more dollars, they won’t let you check anything out. After paying fifty dollars plus in back fees, I’m finally back in good with the library! *tincan laughter* No, but seriously, I am ecstatic about this. Alright, but here you go:

Word Counts

Kurylian Saga: The Sorcerer and The Swordsman – Edit one – 11 pages

Kurylian Saga: The Prince and The Corpse – Rough Draft – WC: 1,348

Kaimi Rowe Series: Seeker Born – Rough Draft – Restarted – Outline phase

Blog Posts

Nine Ways to Fix Your Stereotyped Character: A guest blog by Cindy Grigg

Researching Mystery

The Day Robin Williams Died

A Breakup Letter from Me to WB

Breaking Down Nemesis: Part one

Books Read

Doll Bones by Holly Black 

Wordcount Goals

(Changed to just goals, because honestly, I haven’t really written anything other than blogposts in about… three weeks.)

Finished Kaimi Rowe Outline

Finish  Beauty Queens by Libba Bray

Four chapters of Nemesis reviewed/blogged

Start Tithe by Holly Black

Ascended Gods – A question of morals

  • Posted on July 26, 2014 at 12:05 am

Tonight I went to see a summer hit, Lucy. To summarize, it is a movie about a woman, who, through a bad drug-ring run-in, ends up able to open up her very brain, and strive past the normal ten percent that most humans can access it. The movie is entirely about her journey from ten to one hundred percent, and what happens at the end.

Lucy Trailer

Now this is not the first story of a human pushing past humanities limits. In fact, there was another such being in media, one Dr. Manhattan. Through a freak science incident, this particular case ended up becoming almost godlike, capable of manipulating not just matter, but time and space as well.

But both of these two have something in common.

Both lose touch with their humanity, over a period of time. At one point, Dr. Manhattan, instead of exercising his gifts to save a woman, ends up allowing her to be shot. Lucy, despite her gifts, and apparent omniscience at the end of the movie, chooses to give mankind knowledge, but no guidance. Both of them, in the end, ascend beyond humanity, and choose not to interfere any further.

Why is this? What is it about these ascended gods that marks them as amoral, beyond the human concept, beyond understanding humanity, despite knowing, and having control over just about everything? Why do these so called gods choose instead to give humanity knowledge, and no true guidance? What is it about this ascension that takes them beyond any and all morals or codes that they held during humanity?

I beleive these characters are designed this way to invoke exactly that. A Godhood, an ascension. The belief that all humankind’s worries and needs are inconsequential in the larger run of things. However, I ask you, why would the belief, the realization of this, make these beings choose instead to fuck off into the deep blue mysterious beyond?

Why instead, do they not choose to stay? To attempt to guide humanity towards some kind of peace? If they have an absolute understanding of everything trivial and horrid that humanity has done, and how to correct it… Why don’t they? Are we to believe that once someone has ascended beyond all the worry, all the strife, all the day-to-day rat-races, that they would just… forget or ignore or lose interest in all of those they once cared about?

Dr. Manhattan’s transformation was quite well done, over a period of many, many years, and to be honest, I understand why he began to lose touch. He became entrenched instead on all of the mysteries the world had now unlocked for him. As he said, “I am tired of this world, these people. I am tired of being caught in the tangle of their lives.”

I’m curious, dear readers, has there ever been a case of one of these ascended gods choosing instead, to guide humanity? Successfully? Please tell me in the comments about it, about what you think would happen, and about what you think humanity’s response would be.

Darling Mother Dearest

  • Posted on April 4, 2014 at 12:30 pm

We know the type. The Mother, The Magdelene, She Who Nurtures, and she is the singular woman who defines who we are, who we become, and what we’re going to do with the world around us. Developmental theory often refers to her as the Female Rolemodel. In Fairytales, her title might be Step-Mother, or Queen, or any number of other things. But in the end, she is that one discerning force that brings us out into the world.

Now, this is where we draw the line. There are many types of Mothers.  Good ones, bad ones, evil ones, abusive ones, caring ones, obtuse ones, demanding ones, mothers run the whole spectrum, because they are, in fact, people. And no matter what your experience with them, or lack thereof, they still define parts of you to this day. Often, it isn’t until we grow up and get our own jobs and move on, that we realise our mothers, good bad or missing, are part of what motivates us in the world.

Three very good examples of mothers include Mother Gothel from Tangled, Eudora, Tiana’s mother from Princess and the Frog, and finally, one we all know very, very well, Wendy from Peter Pan. Now, you may be wondering where Wendy comes into this. Just hold on, and let me get to my point.  All of these fine ladies exemplify motherhood one way or another. Each different kinds, each with their own flaws, each with their own strengths. But beneath it all, they’re all women, down to the bones of it. Beneath the veil of “Mother” lies a woman, and it is that woman who determines how her children will turn out.

To start with, we’ll give you a good example. Eudora, the mother from Princess and the Frog, is a good woman. Married to her husband of many years, she works hard in New Orleans in the 20s. Which, for a woman of color, could NOT have been a good time for her. But she made the best of what she had, and because of that, she raised a resourceful, kind, and determined daughter. Because beneath the Mother, there was a resourceful, kind, and determined woman.

Now, Mother Gothel, as you well know, if you watched the movie for even half of its length, was abusive. Emotionally, and at the end, physically. She constantly belittled Rapunzel under the guise of motherly help. She put her down, and if you watch her most minute actions, all of her affection was aimed towards her daughter’s HAIR. The magic, not the girl. No wonder Rapunzel wanted out so desperately! But, if there was anything she did do right, is that she provided for her daughter. Rapunzel never wanted for anything, not food, not a roof, other than entertainment of course. And she encouraged her hobbies, baking and reading and painting. Even the worst mother can have a FEW redeeming qualities, I suppose.

Wendy, however, is a very special case. She actually wasn’t really a Mother. Not to begin with anyway. But the boys adopted her, and unwilling, she ended up a mother. This is the important part. She didn’t WANT to be a mother to those boys. Peter forced it on her, much the way single mothers are forced to take up both parental roles. However, unlike either of the mothers above, Wendy falls under the pressure. She caves. And in the end, she leaves. This too, has an impact upon her ‘children’. The boys once again only have Peter for guidance, and instead of growing up, they languish in Neverland, playing games forever with their child king.

So you see, no matter who she is, absent, missing, there, loving, nurturing, evil, selfish, cold, the mother has a big influence on her children. And before you get into it, fathers do too, but this is about mothers, so hush.  Mothers are what teach us how to emotionally handle the world. They prepare us, one way or another, for what we’ll find when we leave the nest. Some are good at this duty. Some are terrible. But no matter what, even if you loathe your mother and her actions, there is always something that will bring your mind back to them, something that makes you remember her, absent or not. And that, my friends, is why women become Mothers. That is our immortality.

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