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Monthly Writing Update – Feb 2016

  • Posted on February 7, 2016 at 11:19 am

So, I’ve decided that, since I have trouble keeping up with one post a week, much less two, I’m going to switch to a Monthly Writing Update, which will generally be published on the 5th or so of every month. As always, this will include my writing progress, writing goals, reading goals, and various other goals that I feel like sharing with you guys. I hope you don’t mind the change in format, but honestly, I feel like this is a bit more… uh. Honest.

Writing Progress:

The Knight of Kuryle – Rewrite – 5,605 words – five chapters re-written

All other writing projects are on hold until I can get this done.

Posts written:

Weekly Writing Update – 1/11/16

Ab Ovo – A Review of a Literary Term

Writing Anime: Colorful – About POV changes mid-story

Writing Anime: Land of Gods and Monsters – About Magic Systems

IWSG – 2/3/16 – About Giving yourself a break.

Books Read:

Kafka on the Shore by Haruki Murakami

February Goals:

Do Taxes

File Fafsa

Four more Blogposts this month

Rewrite 5k more words on book

Read another book – Not sure which one yet.

Writing Anime – Colorful

  • Posted on January 24, 2016 at 3:52 pm

There are very few movies that have managed to reduce me to tears. One I can name was A.I., the movie that was basically a pinocchio parallel except with robots. This movie, Colorful? It reduced me to tears halfway through the movie, and then just kept them coming. I recommend this movie for anyone who is going through hard times, suffering depression, or any sort of problem with belief in oneself.

The premise of the movie is simple. A soul is given a second chance, and that second chance requires that they figure out the crime they committed in their past life, as well as why the boy who’s body they inhabit killed himself. The ending is staggering. I definately didn’t see it coming. But what really did it for me was how it drew me in. The first sequence of the movie is entirely in first person. That is, the characters talk to YOU directly, and there is a beautiful falling sequence that just plain made me sigh with happiness.

Then, after a heart-wrenching scene where the family greets you, and then hands you a mirror to see yourself, it switches from first person into third, but you continue to hold onto that connection. You’re STILL that person, and you’ve STILL got the wonder and the fear and the anxiety that the opening instilled in you. It’s a wonderful technique that often isn’t pulled off well. However, this movie does it masterfully.

How can we translate this work into a literary practice? Well, let’s take a look at a few authors who make regular changes in point of view, and what delineates how well it is done. One of my favorite books that I read recently was Haruki Murakami‘s Kafka on the Shore. In the book, his two main characters, an old man named Nakata and a young boy named Kafka have different point of views. When the book speaks of Kafka’s adventures, they’re all first person. Nakata’s part of the story however, is always in third person.

The way this ends up working is very different from what you might think. In fact, in even more jarring, and therefore attention grabbing, parts in Kafka’s sections, parts of it drop into second person, telling me what is occuring to ME while I read it. Those parts were designed to make one uncomfortable, and they did. It was very uncomfortable reading those parts, but again, it drew you in.

Here are a few things you might consider when doing POV switches:

  • Consider which point of view is necessary for which character
  • if you do switch point of view, make sure it is clearly outlined who is using what pov.
  • if you switch points of view with the same character, only do so when the section needs to be unsettling or paid very close attention to.

Another book that did Point of View changes is one of my favorites, Patricia Briggs‘ Dragon Blood. The sequel to her Dragon Bones, Dragon Blood is told in a different way than her first book. In the first book, it was entirely from her main character, Ward’s perspective. Although we were privy to bits of excitement that happened to other people when Ward wasn’t present, it was clearly presented in a way of “Ward is telling the story, and adding parts he was told after the fact”. In Dragon Blood, however, it’s very clear that the Main Character-ship was shared between Tisala and Ward.

The way this was done was very simple. Each chapter had a denotation of WHO was the perspective character. This made it easy to follow, and also kept the linearness that Briggs is so exemplary for. I would definitely emulate her, were I writing something so straight forward.

These three examples prove that no matter what your medium, you’re going to have to keep an eye out for your POV. It’s not something you should spend only a few seconds considering. And if you get stuck? Well, try a new perspective!

Weekly Writing Update – 1/11/16

  • Posted on January 11, 2016 at 7:03 pm

It’s been quite a long time since we’ve done one of these! A weekly writing update is when I take a look back over the last week and determine what goals I’ve met and what goals I haven’t. Sometimes I’m proud of myself, and sometimes I’m not, and I find lately that that feels wrong. I should ALWAYS be proud of what I achieve, even if it isn’t what I wanted to achieve.  Trying to be more grateful for myself and my works is one of my goals!

Word Counts

Knight of Kuryle – Unknown wordcount (still need to download and use Scrivener to edit)

Ashes and Ink – The New Kaimi Rowe book – 25997 words – First draft

The Faery King’s Bride – A fanfic project I started a few days ago – 2702 words

Blog Posts

Pet Peeves – 07/16/15

Half a Year Gone By – 12/04/16

ISWG – New Years Resolutions – 01/06/16

Books Read

The Time MachineH.G. Wells

Kafka on the ShoreHaruki Murakami

Goals

Read:

Get a new job (my current one is disagreeable)

Finish Fafsa

File Taxes

Download Scrivener (if I can on this thing)

 

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